Post by jeffmeister on May 7, 2012 18:28:24 GMT -5
As the beautiful witch Angelique on the original Dark Shadows, Lara Parker became one of the show's most memorable and enduring characters. We caught up with her to talk about her cameo in the new movie and her thoughts on the project...
The lovely Lara Parker from years gone by ...
So Lara, what was your reaction when you heard that Dark Shadows was heading to the big screen?
I never thought it would get made – I was so pessimistic. This is a reinterpretation, and I feel – with all humility – that it's to Dark Shadows' credit that someone can find a new way of doing it. That's what we did on the original show – we reinvented thing like Dracula and Turn of the Screw and Dorian Gray...
Do you think this film is still Dark Shadows as we know it?
When I was on the set, seeing what was going on, I could tell that the tone was significantly different. I had misgivings, I’ll admit. I thought hopefully it would be OK, but it could be a real bomb. But then I saw the first trailer and was kinda taken with it! It's an homage – it's a recognition of the value of the original material, to have make Tim Burton's imagination take off with it the way it has.
Director Tim Burton has spoken a lot about wanting to capture the 'vibe' of the original show. What do you take that to mean?
I've been asked so many times what I think was the most distinguishing characteristic of the TV show, and I think it was that the acting was realistic. Now that's not true of everyone... There were some more arch performances – people like Grayson [Hall] (Julia Hoffman) and Chris Pennock (Jeb Hawkes) – but for the most part, we played it with conviction. We were encouraged to be believable, so when a bat came in the room – and it was a Halloween toy dangled by some anxious prop man – there was no question of rolling our eyes or letting the audience in on the joke. It was played with total conviction. So here were all these absurd situations – telling ghosts to go back to their graves – but played with total conviction. That gave Dark Shadows its tone. I think audiences are smarter than they used to be. Tim Burton is letting the audience in a little more on that joke.
He’s spoken several times about wanting the film have a balance between being funny and scary…
And that's the way Johnny Depp works as an actor. He lets you see that things are tongue in cheek – that it's meant to witty. I think he's very, very committed to this movie. He and Tim Burton took this very seriously. You look at those sets and see the money that was spent. Movies are a harsh business, and they could lose all that money. They want this to succeed and have made choices that they feel will resonate with today's kids.
So did you feel at all proprietorial about the original series when confronted by those choices?
No – I have no sense of ownership. It's a little sad to see someone else play Angelique. But on the other hand, she's not going to do it the same way I did. I was so, so excited when I saw Eva Green in Camelot. She's such a marvellous presence – so sexy and beautiful.
And Angelique’s gone corporate in this story, running a rival business…
Eva Green mentioned playing Angelique as 'ballsy Barbie'. I guess if I'd have been asked to play her running a big company, I'd have acted sorta brittle too. Of course, there's this whole level beneath that, driven by Angelique's heartbreak. Her attitude represents the major banks and their attitude towards the world. I think there are several levels to the story.
We also have Johnny Depp’s Barnabas trying to restore the Collins family’s identity and uphold their heritage…
Yes, he and Jonathan Frid's Barnabas still have a lot in common – that love of the Collins family and the great house of Collinwood. And they also share a duality – of the monster who feeds on blood, and the man who feels wretched over his predicament. Johnny plays Barnabas bewildered – he's a fish out of water, which I think is great. They've decided to actually pay attention to the outside world here – the outside world didn't exist on our show. So Johnny has to face the fact that he's 200 years behind, and is totally mystified.
That sense of awkwardness does seem reminiscent of Jonathan Frid’s Barnabas…
I love that shot of Barnabas sitting in Carolyn's room on the beanbag! His body language just somehow reveals how uncomfortable he is – yet he's really determined to carry it off and get back on top of things. So there's still a duality, just like Jonathan had. Johnny Depp's an amazingly inventive actor. You look at that trailer, and he's just so spot-on in those moments.
So what was it like meeting him when you filmed your cameo?
Johnny Depp has a reserve. When we were on set, he was in costume and make-up, but he was also in character – with that white make-up, he looks like he's carved out of marble. He said a few nice things and was very polite, but he didn't really joke around or get into deep conversation. He wasn't cold, but he just didn't break character.
And presumably Pinewood was a step up from the old Dark Shadows studio…
I thought the sets were beautiful – I was staggered by the beauty of them. Also, Tim Burton shoots with smoke and a lot of coloured lights, so everything takes on a painterly effect. I think it's gorgeous.
What are your hopes for the finished film?
I wish them the best, and I am just so thrilled that it happened. I hope they make ten of them! I hope that Dark Shadows lives forever!
And you’re going to be attending the US premiere at Grauman's this week…
Yes! [laughs] I have no idea what that will be like. I keep picturing the Academy Awards, then I realise it'll be nothing like that. I think that's the only red carpet I've ever seen. Hopefully I'll have a nice dress by then.
Do you know what you'll be wearing?
I do.
Can't you give us a hint?
[Laughs] Well… You're never sure till the last moment, but I'm putting this thing together. It's black silk and has some lace with it.
I’m sure Angelique would approve!
Yes, she would!
Kathryn Leigh Scott (original "Josette"/"Maggie Evans"), Michelle Pfeiffer (Elizabeth Collins Stoddard;
originally played by Joan Bennett), David Selby ("Quentin" from tv series), & Lara.
Original article: darkshadowsnews.blogspot.com/2012/05/lara-parker.html
The lovely Lara Parker from years gone by ... So Lara, what was your reaction when you heard that Dark Shadows was heading to the big screen?
I never thought it would get made – I was so pessimistic. This is a reinterpretation, and I feel – with all humility – that it's to Dark Shadows' credit that someone can find a new way of doing it. That's what we did on the original show – we reinvented thing like Dracula and Turn of the Screw and Dorian Gray...
Do you think this film is still Dark Shadows as we know it?
When I was on the set, seeing what was going on, I could tell that the tone was significantly different. I had misgivings, I’ll admit. I thought hopefully it would be OK, but it could be a real bomb. But then I saw the first trailer and was kinda taken with it! It's an homage – it's a recognition of the value of the original material, to have make Tim Burton's imagination take off with it the way it has.
Director Tim Burton has spoken a lot about wanting to capture the 'vibe' of the original show. What do you take that to mean?
I've been asked so many times what I think was the most distinguishing characteristic of the TV show, and I think it was that the acting was realistic. Now that's not true of everyone... There were some more arch performances – people like Grayson [Hall] (Julia Hoffman) and Chris Pennock (Jeb Hawkes) – but for the most part, we played it with conviction. We were encouraged to be believable, so when a bat came in the room – and it was a Halloween toy dangled by some anxious prop man – there was no question of rolling our eyes or letting the audience in on the joke. It was played with total conviction. So here were all these absurd situations – telling ghosts to go back to their graves – but played with total conviction. That gave Dark Shadows its tone. I think audiences are smarter than they used to be. Tim Burton is letting the audience in a little more on that joke.
He’s spoken several times about wanting the film have a balance between being funny and scary…
And that's the way Johnny Depp works as an actor. He lets you see that things are tongue in cheek – that it's meant to witty. I think he's very, very committed to this movie. He and Tim Burton took this very seriously. You look at those sets and see the money that was spent. Movies are a harsh business, and they could lose all that money. They want this to succeed and have made choices that they feel will resonate with today's kids.
So did you feel at all proprietorial about the original series when confronted by those choices?
No – I have no sense of ownership. It's a little sad to see someone else play Angelique. But on the other hand, she's not going to do it the same way I did. I was so, so excited when I saw Eva Green in Camelot. She's such a marvellous presence – so sexy and beautiful.
And Angelique’s gone corporate in this story, running a rival business…
Eva Green mentioned playing Angelique as 'ballsy Barbie'. I guess if I'd have been asked to play her running a big company, I'd have acted sorta brittle too. Of course, there's this whole level beneath that, driven by Angelique's heartbreak. Her attitude represents the major banks and their attitude towards the world. I think there are several levels to the story.
We also have Johnny Depp’s Barnabas trying to restore the Collins family’s identity and uphold their heritage…
Yes, he and Jonathan Frid's Barnabas still have a lot in common – that love of the Collins family and the great house of Collinwood. And they also share a duality – of the monster who feeds on blood, and the man who feels wretched over his predicament. Johnny plays Barnabas bewildered – he's a fish out of water, which I think is great. They've decided to actually pay attention to the outside world here – the outside world didn't exist on our show. So Johnny has to face the fact that he's 200 years behind, and is totally mystified.
That sense of awkwardness does seem reminiscent of Jonathan Frid’s Barnabas…
I love that shot of Barnabas sitting in Carolyn's room on the beanbag! His body language just somehow reveals how uncomfortable he is – yet he's really determined to carry it off and get back on top of things. So there's still a duality, just like Jonathan had. Johnny Depp's an amazingly inventive actor. You look at that trailer, and he's just so spot-on in those moments.
So what was it like meeting him when you filmed your cameo?
Johnny Depp has a reserve. When we were on set, he was in costume and make-up, but he was also in character – with that white make-up, he looks like he's carved out of marble. He said a few nice things and was very polite, but he didn't really joke around or get into deep conversation. He wasn't cold, but he just didn't break character.
And presumably Pinewood was a step up from the old Dark Shadows studio…
I thought the sets were beautiful – I was staggered by the beauty of them. Also, Tim Burton shoots with smoke and a lot of coloured lights, so everything takes on a painterly effect. I think it's gorgeous.
What are your hopes for the finished film?
I wish them the best, and I am just so thrilled that it happened. I hope they make ten of them! I hope that Dark Shadows lives forever!
And you’re going to be attending the US premiere at Grauman's this week…
Yes! [laughs] I have no idea what that will be like. I keep picturing the Academy Awards, then I realise it'll be nothing like that. I think that's the only red carpet I've ever seen. Hopefully I'll have a nice dress by then.
Do you know what you'll be wearing?
I do.
Can't you give us a hint?
[Laughs] Well… You're never sure till the last moment, but I'm putting this thing together. It's black silk and has some lace with it.
I’m sure Angelique would approve!
Yes, she would!
Kathryn Leigh Scott (original "Josette"/"Maggie Evans"), Michelle Pfeiffer (Elizabeth Collins Stoddard;
originally played by Joan Bennett), David Selby ("Quentin" from tv series), & Lara.
Original article: darkshadowsnews.blogspot.com/2012/05/lara-parker.html
