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Post by the Scribe on Dec 6, 2019 17:36:51 GMT -5
 Schedule
Saturday, December 7: Presentation of Medallions
Sunday, December 8: Kennedy Center Event
Sunday, December 15 at 8 p.m. ET - TUNE IN on CBS Celebrate the 2019 Honorees!
Celebrate the 2019 HonoreesEarth, Wind & Fire, Sally Field, Linda Ronstadt, Sesame Street, and Michael Tilson Thomas
42nd Annual Kennedy Center Honors To Celebrate Honorees' Profound Artistic Impact
Sunday, December 8, 2019“The Kennedy Center Honors celebrates icons who, through their artistry, have left an indelible stamp on our collective cultural consciousness,” stated Kennedy Center Chairman David M. Rubenstein. “Earth, Wind & Fire’s hooks and grooves are the foundation of a seminal style that continues to shape our musical landscape; Sally Field has brought us unforgettable characters, both joyous and poignant, for more than five decades; Linda Ronstadt is the defining voice of a generation, spanning genres, languages, and continents; Sesame Street continues to revolutionize how children and adults learn about our world; and Michael Tilson Thomas goes far beyond keeping score: he has shaped American music and musical institutions for the 21st century.”
“In this class of honorees, we are witnessing a uniquely American story: one that is representative of so many cultural touchstones and musical moments that make our nation great,” said Kennedy Center President Deborah F. Rutter. “When I look at this class, I see the hopes, aspirations, and achievements not just of these honorees, but of the many generations they have influenced and continue to influence. We’re not just looking back; these honorees are urging us to look forward as well.”
The 42nd annual Kennedy Center Honors marks the first time a television program will receive the award. The co-founders of Sesame Street, Joan Ganz Cooney and Dr. Lloyd Morrisett, will accept the Kennedy Center Honors on behalf of the show, Muppets creator Jim Henson, seminal Muppets artists Caroll Spinney and Frank Oz, and the thousands of creatives who have built the program’s 50-year legacy.
On Sunday, December 8, in a star-studded celebration on the Kennedy Center Opera House stage, produced by Ricky Kirshner and Glenn Weiss of White Cherry Entertainment, the 2019 Honorees will be saluted by today’s leading performers from New York, Hollywood, and the arts capitals of the world. Seated in the Box Tier of the iconic Kennedy Center Opera House, the Honorees will accept the recognition and gratitude of their peers through performances and tributes.
The Kennedy Center Honors medallions will be presented on Saturday, December 7, the night before the Gala, at a State Department dinner. The Founding Chair of the State Department dinner is Elizabeth Stevens.
The Honors recipients recognized for their contributions to American culture through the performing arts—whether in music, dance, theater, opera, motion pictures, or television—are confirmed by the Executive Committee of the Center’s Board of Trustees. The primary criterion in the selection process is excellence. The Honors are not designated by art form or category of artistic achievement; the selection process, over the years, has produced balance among the various arts and artistic disciplines.
The Honoree selection process includes solicitation of recommendations from the Kennedy Center Board of Trustees, the artistic community, and the general public. This year’s selected Honorees were chosen based on the recommendation of the Center’s Special Honors Advisory Committee, which is chaired by David Bohnett and includes David M. Rubenstein, Deborah F. Rutter, Michael Lombardo, Cappy McGarr, and Shonda Rhimes, along with past Honors recipients and distinguished artists Julie Andrews, Martina Arroyo, Gloria Estefan, Herbie Hancock, Twyla Tharp, and John Williams. These individuals play a critical role in the evaluation and selection process, and the Kennedy Center is indebted to them for their involvement.Profiles of This Year’s HonoreesEarth, Wind & Fire is forever in the groove www.washingtonpost.com/entertainment/music/earth-wind-and-fire-forever-in-the-groove/2019/12/04/b84cf0a2-07d8-11ea-b388-434b5c1d7dd8_story.html
Sally Field’s relentless request for respect www.washingtonpost.com/entertainment/sally-fields-relentless-request-for-respect-the-roles-i-cared-about-deeply-i-had-to-fight-for/2019/12/03/3fc12be2-ffe2-11e9-8bab-0fc209e065a8_story.html
Linda Ronstadt never stopped singing www.washingtonpost.com/entertainment/music/linda-ronstadt-never-stopped-singing/2019/12/02/57d6ad7c-0f9d-11ea-b0fc-62cc38411ebb_story.html
Sesame Street: A friend to everyone www.washingtonpost.com/arts-entertainment/2019/12/02/sesame-street-taught-world-how-be-nice-its-still-it-if-you-need-refresher/
Watch extraordinary performances from 40 years of The Kennedy Center Honors in our video gallery:
View the Full Press Release cms.kennedy-center.org/docs/default-source/public-relations-documents/2019-press-releases/kc-announces-2019-honors.pdf?_ga=2.161713332.94498742.1575670676-213315066.1575670676
Playlist: Experience extraordinary performances from Honors through the decades:
www.kennedy-center.org/pages/specialevents/honors/#videoCOMPANION THREAD: ronstadt.proboards.com/thread/1839/kennedy-center-honorsPopular Videos - John F. Kennedy Center for the Performing Arts & Linda Ronstadt11 videos 2 views Updated yesterday
www.youtube.com/playlist?list=PLiD2y1hmUnSnbg9m4ZSmN11kADEQz4Ay0
www.youtube.com/playlist?list=PL14hRqd0PELFSXTCvQv1meIiKqnyPLLTfDon Henley Celebrates The Diversity Of Linda Ronstadt's Musical CareerKevin Kline Shares His Heartfelt Admiration For Linda RonstadtEmmylou Harris On The "Joy Of Her Life" Singing With Linda Ronstadt
Carrie Underwood Belts Out Spirited "Blue Bayou" And "When Will I Be Loved" In Honor Of Linda RonstadtTrisha Yearwood And Aaron Neville's Duet Of "Don't Know Much" Is Beauty For Your EarsTrisha Yearwood Honors Linda Ronstadt With A Soulful Cover Of "You're No Good"Flor De Toloache's Empassioned Rendition Of "La Cigarra" Pays Tribute To Linda Ronstadtlinda ronstadt honored at 2019 kennedy center honors |
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Post by the Scribe on Dec 6, 2019 17:40:45 GMT -5
Linda Ronstadt Biography
Linda Ronstadt is arguably the most versatile vocalist of the modern era, having forged a four-decade career which established her as one of the very important artists in one of the most creative periods in the history of modern music. She has broadened the latitudes of the pop singer, expanding the vocalist’s canvas to include country, Rock ‘n’ Roll, big band, jazz, opera, Broadway standards, and Mexican and Afro-Cuban influences. With worldwide album sales of more than 50 million, at least 31 gold and platinum records, and 10 Grammy Awards®, Ronstadt is the consummate American artist.
Ronstadt sang her last concert in 2009, and shortly thereafter announced her retirement from singing. Unlike most retirements, however, Ronstadt’s has been quite busy. Released in 2013, her book, Simple Dreams, A Musical Memoir, made the New York Times best-seller list and kicked off an extensive book tour. In December of 2013, Ronstadt was elected to the Rock and Roll Hall of Fame and during the summer of 2014, she was honored by President Barack Obama, who awarded her the National Medal of Arts at a White House ceremony on July 28, 2014. From 2014 to late 2018, Ronstadt toured occasionally with her highly acclaimed one-woman show, A Conversation with Linda Ronstadt. Featuring photos, audio, and selected video, Ronstadt recounted episodes from various times in her long career, as well as her thoughts on music and what it has meant in her life.
Ronstadt continues to serve on the Advisory Board of Los Cenzontles, an academy in California’s East Bay dedicated to the preservation of Mexican Heritage. Founded by Eugene Rodriguez, the organization serves to educate the community about Hispanic art, music, and culture.
In early 2019, Rhino Entertainment released Linda Ronstadt—Live in Hollywood, her first and only live concert album, recorded on April 24, 1980.
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Post by the Scribe on Dec 6, 2019 17:53:19 GMT -5
Profiles of This Year’s HonoreesLinda Ronstadt never stopped singing
“I like to do whatever I want,” says Ronstadt, pictured here outside her home in San Francisco. “Within reason.” (Jessica Chou for The Washington Post)
By Ellen McCarthy
Dec. 3, 2019 at 9:00 a.m. MST
SAN FRANCISCO — Try telling Linda Ronstadt where she can’t go, what she can’t do. Go ahead.
But before you try, picture her at age 4, not yet in kindergarten, riding a pony fast and free through the Sonoran Desert of Arizona, evading rattlesnakes and adult supervision.
Picture her as a teenager, giving her parents only a couple hours’ notice before riding off to Los Angeles to be a singer. Picture her performing for stadium crowds, a megastar with big brown eyes and short shorts, the dream girl of a generation, taking on folk, rock, pop, country, Latin music and American standards.
Picture her doing anything other than watching her own induction into the Rock and Roll Hall of Fame, let alone attending the ceremony. Picture her showing up to the White House to receive the National Medal of Arts from Barack Obama, then picture that medal collecting dust under her bed.
Which is probably where the Kennedy Center Honors she’ll receive this month will also be stashed (she at least plans to “suffer through” that ceremony in person), because all of that — the reverence, the recognition — isn’t important to her. The only important thing to Linda Ronstadt, ever, has been the part you can’t picture: the experience of singing. Singing what she wants, when she wants, in relentless pursuit of perfection.
“It tells what I am,” she said in an interview last month at her home in San Francisco.
Ronstadt’s not a songwriter. Her fans are an afterthought, her fame an annoyance. Singing is the thing. It’s her obsession, her identity, her release. It is her pony and her desert.
Is. Was.
Picture her now, at 73, confined in a body that mostly just shuffles haltingly through the house. A degenerative disease, similar to Parkinson’s, has stolen her voice, along with her abilities to ride and run and strum a guitar.
That theft marked an obvious loss for the musical world, and, it would seem, an incalculable one for her. Because as far as anyone can tell, Linda Ronstadt can’t sing anymore.
But try telling her that. Go ahead.
Linda Ronstadt with her pony, Murphy, at her childhood home in Tucson in 1949 or 1950. (Family photo)
Ronstadt lifts her legs onto a settee in her whitewashed living room a few blocks from the Bay. From here she can look out the French doors to a garden still blooming with hydrangeas. Everything is just as she prefers. Bookshelves overflowing. Black-and-white photos of her parents on the grand piano. An original print from Disney’s “Snow White” front and center on the mantel.
“I like to do whatever I want,” she shrugs. “Within reason.”
What she doesn’t want to do is drink the water her longtime assistant puts next to her, though she knows she should. Her appetite is diminished, along with her mobility. But she also doesn’t want to spend time feeling sorry for herself, she doesn’t want to listen to her old albums, and she certainly doesn’t want to talk about her reign as the Queen of Rock.
“I thought I did pretty well,” she says, “But I didn’t think I was the greatest at anything.”
Rolling Stone deemed Ronstadt “America’s best-known female rock singer” in 1978. By then she’d put out hit recordings of Clint Ballard Jr.’s “You’re No Good,” Roy Orbison and Joe Melson’s “Blue Bayou,” and Warren Zevon’s “Poor Poor Pitiful Me.” But as far as Ronstadt is concerned, she “didn’t really start singing until about 1980.” Meaning, she didn’t start singing to her own satisfaction until then.
Ronstadt’s fans are far less critical. Between 1969 and 2009, she released more than 30 albums, won 10 Grammys, had 21 Top 40 hits. For four decades, she was ubiquitous.
And then she was gone. Because if she couldn’t sing to her own satisfaction, she’d rather not sing at all.
Even if it meant giving up a lifelong vocation, one she felt was sealed in her genes before birth. Ronstadt’s paternal grandfather, a Mexican immigrant who ran a hardware store, was the conductor of a brass band. Her father was a baritone crooner who played venues around Tucson. Her brother was a soloist with the Tucson Arizona Boys Chorus. Ronstadt was 4 years old when she decided she was a singer, after joining her older siblings in a song around their piano and hearing her older sister remark, “Think we got a soprano here.”
“I remember thinking, ‘I’m a singer, that’s what I do,’ ” Ronstadt wrote in her memoir, “Simple Dreams.” “It was like I had become validated somehow, my existence affirmed.”
She spent endless childhood hours by the radio, listening to American folk songs and Mexican ballads. If there were musicians on the street or a concert in town, she was drawn like a supercharged magnet. “I wanted to learn everything I could learn,” she explains, brushing away a strand of lavender hair dyed to match the color of her soft sweater.
As a teenager, she performed with her brother and sister around Tucson, but she always preferred singing at home, without a microphone. To Ronstadt, singing was a verb, maybe even a calling — not a ticket to fame or fortune. “I didn’t think about it in terms of being on the stage,” she says. “I just thought about singing.”
In 1965, Ronstadt dropped out of college after one semester, broke the news to her parents — who were devastated but handed her $30 so she wouldn’t starve — and headed to the West Coast. She moved into a beachside bungalow in Santa Monica and started playing coffee shops with two buddies, who together called themselves the Stone Poneys. The group had a breakout hit, “Different Drum,” that got airtime on the radio as they toured through what Ronstadt remembers mostly as “roach parlors” around the country. Ronstadt, with a crystalline voice and lungs that seemed to elevate every note to the heavens, attracted industry attention almost immediately.
“Somebody recommended to me that I go to the Bitter End to hear this extraordinary woman sing,” recalls Peter Asher, a producer who worked for the Beatles’ record label and was managing James Taylor’s career. “And everything they told me was true. That she was extraordinarily beautiful and she was an amazing singer. She sang barefoot in these really short shorts. And that everything about her was spectacularly exciting in every way.”
Another young talent in her position might have been vulnerable to the pressures of industry executives with opinions about what she should be singing, but Ronstadt had her own ideas. Choosing songs was as much a part of her talent as singing them. Ronstadt didn’t write her own material, but was an exacting interpreter — more Yo-Yo Ma than Bob Dylan, with an instrument that just happened to be lodged in her throat. If a line in a song spoke to her life, she’d work it through ceaselessly until she had refit it for her own voice.
In her memoir, Rondstadt recalls the moment a friend sang her a few lines from a song called “Heart Like a Wheel” by a Canadian songwriter, Anna McGarrigle.
And my love for you is like a sinking ship
And my heart is on that ship out in mid-ocean
“I felt like a bomb had exploded in my head,” she wrote. Ronstadt ingested the song, recorded it and released it into our collective consciousness.
“I remember thinking, ‘I’m a singer, that’s what I do,’ ” Ronstadt wrote in her memoir. “It was like I had become validated somehow, my existence affirmed.” (Kirk West/Getty Images)
That was the part she loved. The rest of it — the fans, the money, the acclaim — was beside the point.
“It wasn’t what I was after,” she says. “I just sort of did music regardless of the audience. I didn’t think about my fans.”
This apathy toward the supposed rewards of fame protected Ronstadt from many of its pitfalls. A staffer on “The Johnny Cash Show” knocked on her hotel room late one night, demanded to be let in and then proceeded to take off all his clothes, she says. He told her he could opendoors for her professionally, help her land more television appearances. Ronstadt, then in her early 20s, just laughed. “I said, ‘I hate singing on television!’ ” she recalls. “He didn’t have anything he could hold over me.”
Ronstadt soon got a reputation for being difficult. Asher, who eventually signed on to be both her producer and manager, blames sexism as much as anything. “In that era, there was a ‘Don’t you worry your pretty little head’ factor,” he says. “She couldn’t actually be super-intelligent and well-read and interesting if she’s that beautiful. . . . But she happens to be both.”
But it’s true that she was uncompromising. In 1980, at the height of her hitmaking power — after she’d toured with the Doors, had the members of the Eagles as her backup band and became the first woman to sell out stadiums — she left Los Angeles to join the Broadway production of “The Pirates of Penzance.” Advisers and friends, worried it would be a career-killer, warned against it. She did it anyway. Afterward, she wanted to record an album of old standards by George Gershwin, Irving Berlin and the like. She heard repeatedly that audiences would balk. She did it anyway. When she decided to make a record of Mexican music, she was told it would flop. It was released in 1987, went double platinum and became the highest-selling non-English album in American history.
That was the happiest chapter of her career. Because she was in full control, both of the music and her ability to sing it.
Then, in 2000, as she was recording a song with Emmylou Harris, she detected something wrong in her voice. “It was like something had grabbed my vocal cords and stopped them,” she says. “Like a hand had just grabbed it and was squeezing.”
For years, no one believed her. They blamed her perfectionism. As time went on, her pitch started to go and her voice lost its range. Doctors could offer no explanation. But she wasn’t willing to put out albums that weren’t up to her standards.
Now, picture her onstage for the last time. It was Nov. 7, 2009, in San Antonio. She is in her glory, performing with Mexican dancers and a full mariachi band. As she stood there, “every show I ever did flashed before my eyes,” she recalls. “It ran like a movie in front of me.”
When she was done, she went home and burned her stage clothes.
“I haven’t been bored,” Ronstadt says now, 10 years into her retirement, “and I haven’t been depressed.” (Jessica Chou for The Washington Post)
“The cat goes outside,” Ronstadt says as the fog rolls in and her fireplace crackles. “He tells me what’s going on out there.”
It is 10 years to the day since her last show. Now, she says, she’ll go 10 days at a stretch without leaving the house. She can still walk, though gingerly, and even add a log to the fire when it gets low. But her hands tremble, and even sitting upright becomes painful after a while.
“But I haven’t been bored, and I haven’t been depressed,” she says. “As long as I have a good book, I’m not bored.”
There are people around, much of the time. In her early 40s, Ronstadt adopted two children who are now young adults living in San Francisco. Ronstadt’s beloved assistant, Janet Stark, is with her five days a week. And every Sunday, a professional chef cooks brunch for whoever is around. Sometimes Bonnie Raitt comes over for tea. “We discuss what it was like to be girl singers on the road.” When Emmylou Harris is in town, she brings over her laundry. It’s fun, Ronstadt says, but “not as much fun as singing together.”
Ronstadt had several high-profile romances — including with politician Jerry Brown and filmmaker George Lucas — but she never married. “I have no talent for it,” she explains. “Not a shred. I don’t like to compromise. If I want a pink sofa and somebody doesn’t want a pink sofa, I’m not going to go for that. I want the pink sofa.” (She got the pink sofa, and it still sits in her living room, though today it wears a white slipcover.)
Compromising with illness has been a challenge. It was more than a decade of frustration from the time Ronstadt noticed her instrument beginning to fail her to the time she was diagnosed, in 2012. (Doctors thought it was Parkinson’s at first, but Ronstadt recently got a diagnosis of progressive supranuclear palsy.) She has tried to adopt an attitude of “radical acceptance” about her condition, but what she misses most — besides knitting — is singing with her friends and family.
Which is not to say she isn’t singing at all. She is. Almost incessantly. Sometimes involuntarily. She sings as she putters around the house. As she strokes the cat. As she talks to friends.
It’s just not audible to anyone but her.
She wakes up most mornings to the sound of the “Missouri Waltz” played by clarinets on the jukebox in her head. She hates it. “I don’t like the lyrics. I don’t like the tune. And I don’t like it with clarinets,” Ronstadt fumes. “But that’s what it plays.”
To drive it out, she’ll learn a new song.
“I can still sing in my brain,” she says. “I have to keep the seed alive.”
Go ahead, try telling her she can’t — not really.
Then picture her alone in her home, on her pink sofa with the white slipcover, deep in focus. Picture her working out the phrasing, the rhythm and harmonies just as she always did; and then singing it, in perfect silence, to the only listener who ever mattered.
Read more about the 2019 Kennedy Center Honorees:
A friend to everyone: As ‘Sesame Street’ turns 50 and accepts the Kennedy Center Honors, its lessons in niceness are still as easy as 1-2-3
Sally Field’s relentless quest for respect: ‘The roles I cared about deeply I had to fight for’
Earth, Wind & Fire is forever in the groove
Michael Tilson Thomas was once the ‘bad boy of classical music.’ Now, at 74, he still conducts with childlike delight.
www.washingtonpost.com/entertainment/music/linda-ronstadt-never-stopped-singing/2019/12/02/57d6ad7c-0f9d-11ea-b0fc-62cc38411ebb_story.htmlOther Profiles of This Year’s Honorees
Earth, Wind & Fire is forever in the groove www.washingtonpost.com/entertainment/music/earth-wind-and-fire-forever-in-the-groove/2019/12/04/b84cf0a2-07d8-11ea-b388-434b5c1d7dd8_story.html
Sally Field’s relentless request for respect www.washingtonpost.com/entertainment/sally-fields-relentless-request-for-respect-the-roles-i-cared-about-deeply-i-had-to-fight-for/2019/12/03/3fc12be2-ffe2-11e9-8bab-0fc209e065a8_story.html
Linda Ronstadt never stopped singing www.washingtonpost.com/entertainment/music/linda-ronstadt-never-stopped-singing/2019/12/02/57d6ad7c-0f9d-11ea-b0fc-62cc38411ebb_story.html
Sesame Street: A friend to everyone www.washingtonpost.com/arts-entertainment/2019/12/02/sesame-street-taught-world-how-be-nice-its-still-it-if-you-need-refresher/
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Post by the Scribe on Dec 6, 2019 20:48:21 GMT -5
Linda Ronstadt to be recognized at Kennedy Center HonorsCBS This Morning
1.06M subscribers
The singer tells "CBS This Morning" co-host Tony Dokoupil it’s nice to see her work celebrated, even if she’s not ready to celebrate herself.CBS NEWS December 6, 2019, 4:32 PMLinda Ronstadt is her own worst critics despite Kennedy Center HonorsThis weekend, the 42nd annual Kennedy Center Honors will recognize singer Linda Ronstadt as an American cultural icon. Ronstadt landed more than 30 songs on the Billboard Hot 100 during a career that lasted more than four decades. She earned 10 Grammys and an Emmy Award before Parkinson's disease took away her singing voice.
The Kennedy Center calls Ronstadt "the defining voice of a generation." With her voice and personality, she dominated American pop music in the 1970s.
She went on to sell more than 50 million records, leaping between genres and even languages. But as "CBS This Morning" co-host Tony Dokoupil discovered, you won't get far trying to explain all that success to her toughest critic: Herself.
"You go back now, and you listen to some of your old stuff to remember?" Dokoupil asked.
"I go, 'What was I thinking?'" Ronstadt said. "I'll think I'm a terrible singer and I never could sing. It'll ruin my week, maybe my month."
Linda Ronstadt CBS NEWS
Even worse, Ronstadt said, is the thought of her music living forever online.
"It's terrifying," she said. "There are all those bad performances just to start with frozen in time, not plastic, not elastic, not growing, not building, not maturing, not learning, not improving."
All the money and magazine covers were just a byproduct, she said, of songs she simply had to perform for her own reasons.
"There'll be a line or two in the lyrics that I really relate to. And I think I have to sing that or I'm gonna die," Ronstadt said. "I have to or I'm just gonna die. I share the feeling. I share the sentiment. And it tells my own story."
Born and raised in Tucson, Ronstadt moved to Los Angeles in the early 1960s, where she established herself as a rare performer, the kind who didn't write her own songs, but owned the songs of others, through that singular voice.
"You could argue that you were co-author of every one of your hits. It's not a cover. It's a Linda Ronstadt song," Dokoupil said.
"I just interpreted it the best I could. And sometimes I did them justice. And sometimes I did them a great disservice," Ronstadt said.
But while Ronstadt is famously self-critical, there's no denying, she kept good company. Two members of her backup band, Glenn Frey and Don Henley, went on to form their own group, The Eagles. Ronstadt shared the stage with other stars in a career defined by change.
"I don't think anybody has tried more different styles and nailed it like Linda has," said singer Bonnie Raitt.
Ronstadt said "counting backwards" from the last record she made, she's covered "cajun music and Americana and standards." There's rhythm and blues covers, pop covers and classical. Even what she called a "traditional cowboy song."
But after decades of singing it all, Ronstadt noticed a change in her vocal cords.
"I'd tell them to do something and they wouldn't do it," she said.
The diagnosis in 2013 was Parkinson's disease.
"I miss singing with my family. I miss singing with my friends. Most of the music I sang wasn't in public. It was in the shower, in the car, driving, sitting on the sofa, working out. I sang all the time. And the best of it was the stuff that I did with my friends in the living room," Ronstadt said.
Now a Kennedy Center honoree, Ronstadt admits it's nice to see her work celebrated, even if she's not quite ready to celebrate herself.
"The only thing I can say about my career is that I wasn't very good when I started out. But I got a little better," she said.
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Post by the Scribe on Dec 6, 2019 20:56:20 GMT -5
connections
Classic Sesame Street - La Charreada
sesame street la charreada season 22 1990 1991
The Muppet Performers:
Kevin Clash - Elmo
Jerry Nelson - Parker Monster
David Rudman - Trumpeter
Special Guest Star:
Linda Ronstadt
Classic Sesame Street- Linda Ronstadt sings "Y Andale"
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Post by the Scribe on Dec 6, 2019 21:04:41 GMT -5
connections
Homemade Trailers / "Maybe I'll Come Home in the Spring"
Linda Ronstadt - MAYBE I'LL COME HOME IN THE SPRING
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Post by the Scribe on Dec 6, 2019 21:14:31 GMT -5
Michael Tilson Thomas On The Thrills And Challenges Of Conducting An OrchestraDecember 6, 20191:40 PM ET
Heard on Fresh Air
TERRY GROSS
Fresh Air
26-Minute Listen ondemand.npr.org/anon.npr-mp3/npr/fa/2019/12/20191206_fa_01.mp3?orgId=427869011&topicId=1105&d=1591&p=13&story=785479448&siteplayer=true&size=25405725&dl=1
Transcript www.npr.org/2019/12/06/785479448/michael-tilson-thomas-on-the-thrills-and-challenges-of-conducting-an-orchestra
Pianist and composer Thomas currently directs the San Francisco Symphony. He'll receive a Kennedy Center award for lifetime artistic achievement on Dec. 8. Originally broadcast in 1995 and 2012.
DAVID BIANCULLI, HOST:
This is FRESH AIR. I'm David Bianculli, editor of the website TV Worth Watching, sitting in for Terry Gross.
(SOUNDBITE OF SAN FRANCISCO SYMPHONY PERFORMANCE OF MICHAEL TILSON THOMAS' "BILLY THE KID")
BIANCULLI: That's Aaron Copland's "Billy The Kid" performed by the San Francisco Symphony, conducted by Michael Tilson Thomas, our first guest today on FRESH AIR. This weekend, Thomas will be one of five honorees saluted for lifetime artistic achievement at the Kennedy Center Honors celebration in a star-studded tribute, which will be televised December 15 on CBS. The other honorees this year are Sally Field, Linda Ronstadt, "Sesame Street" and the R&B band Earth, Wind and Fire.
Michael Tilson Thomas was only 24 when he first conducted the Boston Symphony, filling in midconcert for the ailing conductor. He founded the New World Symphony and also served as music director of the Buffalo Philharmonic and principal conductor of the London Symphony Orchestra. Terry Gross first spoke with Michael Tilson Thomas in 1995, shortly after he became the music director of the San Francisco Symphony, which he continues to lead today.
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Post by the Scribe on Dec 6, 2019 21:31:26 GMT -5
Honors Week Tribute: Linda Ronstadt - Millennium Stage (December 5, 2019)The Kennedy Center
211K subscribers
Tony® nominee Ann Hampton Callaway has created an exciting night of songs and stories in celebration of one of America’s most beloved artists, Linda Ronstadt. Anne Hampton Callaway: The Linda Ronstadt Songbook celebrates the many faces of love in Ronstadt’s iconic songs from her Stone Poney Days, her pop/rock classics, songs from her three Nelson Riddle albums, and her iconic duets which Callaway will perform with her brilliant MD, Billy Stritch. Adding to the electrifying sound is Martin Wind on bass, Tim Horner on drums, and Ronstadt’s long time guitarist and arranger, Bob Mann. Romantic, rousing, and joyous, The Linda Ronstadt Songbook promises to be the perfect night of music.
Subscribe to The Kennedy Center! bit.ly/2gNFrtb |
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Post by lawrence on Dec 6, 2019 23:26:47 GMT -5
I was at the Ann Hampton Callaway show last night. She is a remarkable singer in her own right and clearly a fan of Linda's . She performed an interesting mix of Linda's material including Different Drum, What's New, Desperado and a fun and different arrangement of Tracks Of My Tears. The Kennedy Center is decked out with multicolored banners draped from the ceiling and a red carpet area where the guests will arrive.
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Post by the Scribe on Dec 7, 2019 0:49:59 GMT -5
Linda Ronstadt plans to attend Kennedy Center Honors ceremony
Linda Ronstadt, photographed in 2013, is among the 2019 recipients of the Kennedy Center Honors.(Amy Sussman / Invision / Associated Press)
By RANDY LEWISSTAFF WRITER
JULY 20, 2019 8:35 AM
Singer Linda Ronstadt hasn’t spent a lot of time over the course of her life contemplating, much less courting, awards and honors. Even so, she’s collected a slew of them since her music career revved up in earnest in the mid-1960s, taking home 10 Grammy Awards, one Emmy, three Academy of Country Music Awards plus induction into the Rock and Roll Hall of Fame.
Come December, she’ll add a Kennedy Center Honor to that list when the Washington, D.C., institution recognizes her alongside “Sesame Street,” actress Sally Field, R&B group Earth, Wind & Fire and conductor, composer and pianist Michael Tilson Thomas as its 2019 slate of arts and entertainment world recipients.
“I never thought I would receive something like this,” she said Friday from her home in San Francisco. “I love the eclecticism of it.”
She joins a roster of musicians that the John F. Kennedy Center for the Performing Arts has honored over the last four decades, a group that includes Aretha Franklin, Carole King, Chuck Berry, Al Green, Quincy Jones, Barbra Streisand, George Jones, Elton John, Ella Fitzgerald, Cher and her old backup band, the Eagles.
Ronstadt says she is often hard-pressed to know how to respond to the honors that come her way, both because they were never a motivation for pursuing her singing career, and because she’s her own toughest critic about her work.
“If other people like it, I’ll take their word for it, rather than my own,” Ronstadt, 73, said with a laugh, reiterating a frequent observation that what she always notices about her own performances are the things she could have done better rather than what she got right. “It’s nice not to have to work in a vacuum. But I’m done with it now. I can’t do it anymore, so it’s a little frustrating. But that’s what it is and I have to live with it.”
She’s referring to the Parkinson’s disease that has robbed her of her ability to sing at the level she did while becoming one of the most acclaimed voices in rock during the ’60s and ‘70s, before turning her attention to a broad range of other styles of music including the traditional Mexican music of her youth, opera, Broadway and the pre-rock body of pop standards known as the Great American Songbook.
She said she will attend the annual ceremony in Washington D.C. later this year if she feels up to the demands of travel at the time. She said she has seen the widely circulated video of Aretha Franklin saluting Carole King by singing “(You Make Me Feel Like) A Natural Woman” in 2015 when King received her Kennedy Center Honor.
“I levitated,” she said unequivocally. “That was a thrill.”
Ronstadt consistently has stated that such awards were peripheral in her vision as a musician. When she was chosen for induction into the Rock Hall of Fame in 2013, more than 20 years after she first became eligible, she told The Times, “It’s not anything I’ve ever given a second thought to.”
And as to her 10 Grammy statuettes, “I don’t know where they are. The first one I left in the back seat of a rental car. I’d rented a car to go to the show, and tossed it in the back when I left. I forgot about it and left it there in the back seat.”
Ronstadt is the subject of a new documentary, “Linda Ronstadt: The Sound of My Voice,” that premiered in April at the Tribeca Film Festival in New York and which is scheduled for a theatrical premiere Sept. 6.
The film, which roughly parallels the structure and content of her 2013 book, “Simple Dreams: A Musical Memoir,” is directed by Rob Epstein and Jeffrey Friedman. It also involves some members of the creative team, including producer James Keach and composer Julian Raymond, from the 2014 Oscar-nominated, Grammy-winning documentary “Glen Campbell: I’ll Be Me,” which traced the singer’s career and his latter-day struggle with Alzheimer’s disease.
www.latimes.com/entertainment-arts/music/story/2019-07-20/linda-ronstadt-kennedy-center-honors-parkinsons
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Post by fabtastique on Dec 7, 2019 0:54:31 GMT -5
I’m really pleased she is attending this!
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Post by the Scribe on Dec 7, 2019 1:19:17 GMT -5
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Post by the Scribe on Dec 7, 2019 1:29:01 GMT -5
2019 Kennedy Center Awards Host Announced The Award Ceremony Will Be December 14 on CBS (Source: CBS/Getty Images)
By Craig Thornton | July 29, 2019 at 3:56 PM EDT - Updated December 5 at 8:38 AM
WATERTOWN, N.Y. (WWNY) - www.wwnytv.com/2019/07/29/kennedy-center-honorees-announced/
TWO-TIME GRAMMY® AWARD-WINNER AND 2017 KENNEDY CENTER HONORS RECIPIENT LL COOL J TO HOST “THE 42ND ANNUAL KENNEDY CENTER HONORS,” TO BE BROADCAST SUNDAY, DEC. 15 ON CBS
R&B Collective Earth, Wind & Fire, Actress Sally Field, Singer Linda Ronstadt, Children’s Television Program “Sesame Street” and Conductor and Musical Visionary Michael Tilson Thomas to be Recognized
ANNUAL KENNEDY CENTER HONORS, to be broadcast
Sunday, Dec. 15
(8:00-10:00 PM, ET/PT) on the CBS Television Network. This will be LL COOL J’s first time hosting the special. “They call LL COOL J ‘The G.O.A.T.’ [Greatest of All Time] for a very good reason – he earned it,” said Jack Sussman, Executive Vice President, Specials, Music and Live Events, CBS Entertainment. “He’s the absolute renaissance man: musical artist, producer, actor, author, fashion icon, GRAMMY winner and a 2017 Kennedy Center honoree. He will be a masterful master of ceremonies for the Kennedy Center Honors, with his unique style and charisma guiding us through a night of heartfelt and well-deserved tributes celebrating the life’s work of this year’s stellar honorees.” In a star-studded celebration on the Kennedy Center Opera House stage on Dec. 8, the 2019 Honorees will be saluted by today’s leading performers from New York, Hollywood and the arts capitals of the world, accepting the recognition and gratitude of their peers through performances and tributes.
As previously announced, R&B collective Earth, Wind & Fire, actress Sally Field, singer Linda Ronstadt, children’s television program “Sesame Street” and conductor and musical visionary Michael Tilson Thomas are the honorees. The Honors recipients are recognized for their lifetime contributions to American culture through the performing arts – whether in dance, music, theater, opera, motion pictures or television – and are confirmed by the executive committee of the center’s board of trustees. The primary criterion in the selection process is excellence. The Honors are not designated by art form or category of artistic achievement; over the years, the selection process has produced a balance among the various arts and artistic disciplines.
Two-time GRAMMY Award-winner and six-time NAACP Image Award-winner LL COOL J is an entertainment icon who has worked in music, film, television, publishing, fashion and philanthropy. First introduced to the world in 1984 as a Def Jam Records flagship artist, LL is the first rap artist to amass 10 consecutive platinum-plus selling albums. The multi-platinum artist and two-time Rock and Roll Hall of Fame nominee is currently tied for third place for the most Billboard chart debuts by a rapper. In December 2017, LL became the first rapper to earn the prestigious Kennedy Center Honors, which is one of America’s highest achievements for any performer. LL received a star on the legendary Hollywood Walk of Fame in 2016 for his achievement in music.
LL has appeared in more than 30 films and starred opposite acclaimed actors such as Samuel L. Jackson and Colin Farrell in “S.W.A.T.,” Al Pacino, Jamie Foxx and Cameron Diaz in “Any Given Sunday” and Gabrielle Union in “Deliver Us from Eva.” Other film credits include “Rollerball,” “Charlie’s Angels,” “Kingdom Come,” “In Too Deep,” “Toys” and “Slow Burn” with Ray Liotta. He received a Blockbuster Award for Best Comedic Performance as Chef in Renny Harlin’s action film “Deep Blue Sea.” Most recently, LL was seen starring opposite Academy Award-winner Robert De Niro in “Grudge Match.” Currently, LL stars in the hit television drama NCIS: LOS ANGELES, on the Network. Previously, he had a dramatic and critically acclaimed performance on the second season premiere of “House” and a comedic guest-starring role on “30 Rock” as hip hop mogul Ridikolus. Currently, LL is hosting and executive producing the hit show “Lip Sync Battle” on Paramount Network, which initially premiered April 2015 as Spike TV’s most-watched original program ever. The series has amassed over half a billion video streams since its launch. In 2018 the show earned its third Emmy nomination in the category of Outstanding Structured Reality Program and was nominated for a Producers’ Guild Award for Producer of the Year Award in Episodic – Competition Television. In 2018 LL won a NAACP Image Award for Outstanding Host in a Reality/Reality Competition, Game Show or Variety Series or Special.
In March 2018, LL launched his own SiriusXM classic Hip-Hop channel entitled “LL COOL J’s Rock The Bells Radio.” The channel features a wide range of classic hip-hop content, music, interviews and in-depth retrospectives curated and presented by the award-winning artist. Ricky Kirshner and Glenn Weiss of White Cherry Entertainment will executive produce the special for the fifth consecutive year. Weiss returns as director.
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Post by the Scribe on Dec 7, 2019 2:05:51 GMT -5
NOW, IF we could only find out WHO the performers are. The Center sure plays things close to the vest. We will know soon enough.
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Post by the Scribe on Dec 7, 2019 6:14:46 GMT -5
How to Watch the Kennedy Center Honors 2019 Online: Live Stream Without Cablewww.technadu.com/watch-kennedy-center-honors-online-without-cable/58089/
Every year, in December, the Kennedy Center Honors are held, recognizing those in performance arts for their work. If you’re looking forward to watching the 2019 Kennedy Center Honors online, we can help you find your way to it.
The first time the Kennedy Center Honors was held was in 1978. Ever since then, it’s been a bit of an odd award show because it is not televised live. Regularly, the show is held sometime in early December, but the show only hits TVs after Christmas on CBS.
The show features live performances and tribute presenters, while each event honors multiple performers. The CBS transmission is always worthwhile, so we hope you’re just as excited as we are to watch the show
How to Watch the Kennedy Center Honors Online: www.technadu.com/watch-kennedy-center-honors-online-without-cable/58089/
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Post by the Scribe on Dec 7, 2019 6:23:39 GMT -5
The JONAS BROTHERS at the KENNEDY CENTER HONORS this Sunday? Bet on it!posted by @tobyknappon - Facebook, @tkradio - Twitter, @tobyknapp - Instagram - Dec 5, 2019
news.iheart.com/featured/toby-knapp/content/2019-12-05-the-jonas-brothers-at-the-kennedy-center-honors-this-sunday-bet-on-it/
@gettyimages
7:35P EAST COAST - UPDATE! NEW INFO FROM THE LIST!
The KENNEDY CENTER HONORS are going down on SUNDAY in DC... and sources close to the event say the list of actors, artists and performers who will be on hand at the event is pretty star-studded... as usual!
In fact, the JONAS BROTHERS will be on hand to honor EARTH WIND and FIRE who are among this year's honorees. The BROS, who are in the midst of their HAPPINESS BEGINS TOUR, will play in Dallas, Texas on Friday; Austin, Texas on Saturday and then, will jet to DC to be a part of the big day on Sunday.
Word on the street has it that the BROS will perform Boogie Wonderland and SEPTEMBER in tribute to the legendary honorees!
Sally Field, Linda Ronstadt, Michael Tilson Thomas and Sesame Street are also members of this year's class of honorees. Rumors abound about other artists and celebrities who will be on hand to pay tribute to this year's class, however, sources who have seen THE LIST® haven't given us the green-light to spill ALL of the tea just yet!
Click here to learn all about the Kennedy Center Honors. Oh - and you should also support the KENCEN if you can, too. What they do over there is amazing...
More to come! Refresh this space often... and if you are in the DC area this weekend, the Celebrity Spotting should be ON AND POPPIN this weekend near the Kennedy Center!
HT: @dccelebrity Mark Wilkins
The Jonas Brothers Honor Earth, Wind & Fire at Kennedy Center honors WashingtonThe Jonas Brothers on Earth, Wind & Fire | 2019 Kennedy Center Honors BackstageJonas Brothers Make It Funky With "Boogie Wonderland" Tribute To Earth, Wind & Fire
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Post by the Scribe on Dec 7, 2019 6:28:01 GMT -5
FLASHBACKKennedy Center Honors Starts Looking for 2019 Inductees, Queries Past Winners, Artists’ Committee: Doris Day? Dick van Dyke? Berry Gordy?■Celebrity
by Roger Friedman - March 22, 2019 2:27 pm
0 1508 www.showbiz411.com/2019/03/22/kennedy-center-honors-starts-looking-for-2019-inductees-queries-past-winners-artists-committee-doris-day-dick-van-dyke-berry-gordy
It’s that time of the year again.
The Kennedy Center Honors has sent out questionnaires to past winners, the artists’ committee, other friends asking who they think should be honored this year.
The Ken Cen got into a lot of hot water this past year for giving a pre-emptive award to the “Hamilton” creators. Usually, you have to wait for the award. There are plenty of creative people who’ve been on lists for years and snubbed because of inside politics.
Maybe the worst and most egregious pass-overs have been Dick van Dyke and Doris Day. They’re each in their 90s and can’t wait much longer. Doris won’t come to the ceremony, she stays in Carmel, California. But it would be easy enough to set up a live video feed from there. Imagine all the great singers who could sing her songs. van Dyke would come. It’s criminal that he hasn’t been invited. Soul Man Sam Moore, of Sam & Dave fame, is the last among the great R&B stars who isn’t in.
Last year, the Ken Cen broke a tradition and honored Norman Lear. The old rule was you had to be an entertainer. But it does seem like Berry Gordy, founder of Motown, should be inducted. He created a whole genre of music. Impresarios aren’t easy to come by.
There are several actors who aren’t in the Ken Cen. Jane Fonda is a definite. So is Denzel Washington. Woody Allen– but that would take courage. His cinema legacy is worldwide. The Ken Cen also needs to acknowledge classical music, opera, and jazz.
Who do you think should get a Kennedy Center honor this year?
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Post by the Scribe on Dec 7, 2019 6:51:41 GMT -5
Trump doesn’t prioritize performing arts | LettersORLANDO SENTINEL |
DEC 05, 2019 | 4:26 PM
www.orlandosentinel.com/opinion/letters/os-op-letters-trump-kennedy-center-honors-20191205-atmsv67f2zhfxp73wejkwa4d7q-story.html
Earth, Wind & Fire are among the honorees for the Kennedy Center Honors this weekend. Presidents and first ladies have typically attended the awards ceremony, but Donald Trump has not attended since taking office. (April Gamiz/The Morning Call)
Trump doesn’t prioritize performing arts
Since 1978, the Kennedy Center Honors has honored those in the performing arts for their lifetime contributions to the arts. Typically, the weekend-long celebration included a White House reception hosted by the president and first lady, followed by the Honors gala performance at the Kennedy Center.
In 2017 though, the White House reception was cancelled and the president and first lady have not attended any of the gala performances since then. This Sunday, the Kennedy Center will honor Sally Field; Sesame Street; Linda Ronstadt; Earth, Wind and Fire; and Michael Tilson Thomas. And once again the president and first lady are not expected to be there.
Although there have been years here and there when a president didn’t attend, never has a president skipped every year because of his politics and divisiveness.
Although President Trump may not think much of the arts, can you imagine a world without it? No dance, no music, no theater, no movies, no art. The arts are a necessity of life.
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Post by the Scribe on Dec 7, 2019 7:02:30 GMT -5
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Post by MokyWI on Dec 7, 2019 14:39:32 GMT -5
I can't wait to find out who performed in the tribute to Linda. I am thinking by tomorrow morning it should be online somewhere, the names at least.
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Latín From Manhattan
Guest
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Post by Latín From Manhattan on Dec 7, 2019 15:16:28 GMT -5
They often pick some "dreadful" folks to honor the winners. Jessica Simpson "sang" for Dolly - the Jonas Bros for EWF - yikes! I understand EmmyLou will be on hand - but they Must honor her Canciones recordings. At very least the sadistic President won't be there.
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Post by rick on Dec 8, 2019 0:45:09 GMT -5
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Post by musedeva on Dec 8, 2019 1:49:18 GMT -5
![]() goddess bless her tHE cAPRICORN STELLIUM IS ON ITS WAY FOLKS....BLACK MOON LILITH ARRIVING SHORTLY IN ARIES!!!!!!!!!!!!!!!!!!!!!!!!!
Marc Malkin Retweeted sam greisman @samgreis · 3h At the State Dept. dinner for the Kennedy Center honorees Mike Pompeo wondered aloud when he would be “loved”. Then Linda Ronstadt got up to get laurels, looked the f****r right in the eye and said “maybe when you stop enabling Donald Trump”. Icon. |
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Post by musedeva on Dec 8, 2019 1:58:53 GMT -5
She really really must be seeing Life flashing...before and all around her now....luckily ...she ALSO thought of the Future!! tHANK You Linda! Warrioress!
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Post by musedeva on Dec 8, 2019 2:45:47 GMT -5
I can't wait to find out who performed in the tribute to Linda. I am thinking by tomorrow morning it should be online somewhere, the names at least. Not sure if someone performed tonight...but TWO DAYS Ago....this gal did...and she did it with her own flava,,,ie. not trying to sound like lInda
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Post by the Scribe on Dec 8, 2019 3:10:34 GMT -5
Trump Taps Jon Voight, Mike Huckabee for Kennedy Center BoardBy TED JOHNSON Ted Johnson
variety.com/2019/politics/news/trump-kennedy-center-jon-voight-mike-huckabee-1203173316/
Jon Voight Mike Huckabee
CREDIT: SHUTTERSTOCK
WASHINGTON — President Donald Trump intends to appoint actor Jon Voight, former Arkansas Gov. Mike Huckabee, and Broadway producer Daryl Roth to the board of trustees of the John F. Kennedy Center for the Performing Arts.
The list of new appointees also includes American Financial Group co-CEO Carl Lindner III, TCW Group chairman Marc I. Stern, Energy Transfer Partners CEO Kelcy Warren, AG Hill Partners’ Heather Washburne, arts philanthropist Adrienne Arsht, author Karen Tucker LeFrak, and hotelier Kelly Roberts. Their terms will run through Sept. 1, 2024.
The appointments often go to donors, fundraisers and other high profile figures who have been loyal supporters to presidents of either party. Voight was among Trump’s most steadfast defenders in Hollywood, and appeared at inaugural festivities at the Lincoln Memorial, while Huckabee is the father of Press Secretary Sarah Huckabee Sanders and has a biting Twitter presence. He also pushed for federal arts funding, even though the Trump administration wanted to zero out money for the National Endowment for the Arts.
The Kennedy Center board is extensive: It currently has 36 members appointed by the president, according to the center website, along with 21 ex officio members designated by Congress.
A Kennedy Center spokesperson said that board members David C. Bonnett, Shonda L. Rhimes, Giselle Fernandez, Norma Lee Funger, Rebecca C. Pohland, Romesh Wadhwani, Anthony Welters, Alexandra C. Stanton and Rose Kennedy Schlossberg are stepping down. Arsht already is a trustee and was reappointed to a new term.
Trump declined to attend the venue’s signature event, the Kennedy Center Honors, in the first two years of his term. In his first year in office, some of the honorees, including Norman Lear, said they would not attend a traditional White House ceremony before the event in protest of Trump’s proposed cuts to the arts. Last year, the honorees included some of the president’s highest-profile critics, including Cher and members of the cast of “Hamilton.”
The president is not involved in the selection of honorees. Rather, the executive committee of the board of trustees of the Kennedy Center approves recommendations made by a special advisory committee as well as names submitted online from members of the public. Trump Taps Lee Greenwood For Kennedy Center BoardNovember 1, 2019 Donald Trump, Trump cultists
www.joemygod.com/2019/11/trump-taps-lee-greenwood-for-kennedy-center-board/
Via White House press release:
Today, President Donald J. Trump announced his intent to appoint the following individuals to key positions in his Administration: Catherine Ann Stevens of Alaska, to be a Member of the Dwight Eisenhower Memorial Commission.
Stuart Chikami of Nevada, to be a Member of the Commission for the Conservation and Management of Highly Migratory Fish Stocks in the Western and Central Pacific Ocean. Lee Greenwood of Tennessee, to be a Member of the Board of Trustees of the John F. Kennedy Center for the Performing Arts.
Reuters reports:
Greenwood’s most well-known song, “God Bless the U.S.A.,” has become synonymous with Trump’s rallies, with the tune playing whenever the president walks on stage. The song also occasionally plays at the outset of White House events.
The president previously tapped actor Jon Voight and and former Arkansas Gov. Mike Huckabee (R), two ardent supporters of his, to serve on the Kennedy Center board. The Trumps have yet to attend the annual Kennedy Center honors, which celebrate prominent entertainers and cultural contributors.
100% chance Greenwood has never been to the Kennedy Center. In light of Trump’s appointees, we can expect future Kennedy Center honorees to include the likes of Ted Nugent, Kid Rock, and noted thespian Scott Baio.
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Post by the Scribe on Dec 8, 2019 4:06:59 GMT -5
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Post by the Scribe on Dec 8, 2019 4:14:29 GMT -5
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Post by the Scribe on Dec 8, 2019 4:18:47 GMT -5
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Post by the Scribe on Dec 8, 2019 4:20:39 GMT -5
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